Titian and the Venetian Woodcut of the Sixteenth Century.Michelangelo Muraro, David Rosand.Neri Pozza Editore, 1976
$29.69
TITIAN AND THE VENETIAN WOODCRAFT OF THE SIXTEENTH CENTURY.
Michelangelo Muraro and David Rosand
Neri Pozza Publisher
First Edition, 1976
Pages 166
Work of the Giorgio Cini Foundation with 112 black and white illustrated cards outside the text.
The Giorgio Cini Foundation, on the occasion of the fourth centenary of the artist's death
(27 August 1576), presents the one entitled «Titian and the Venetian woodcut of the sixteenth century».
These are two complementary manifestations, which place on the agenda the problem of Titian's graphics in the dual aspect of the drawing one, which constitutes an auroral moment of the artist's creative activity, and the engraving one, in which the sign form is
It is elaborated in a more organic way to be translated into a reproduction technique on wood or metal.
INDEX:
Rodolfo Pallucchini
Presentation
Michelangelo Muraro and David Rosand
Exhibition criteria
Feliciano Welcome
Introduction: Titian the Engraver and His Times
Michelangelo Muraro and David Rosand
Introduction: Titian and the Venetian woodcut of the sixteenth century
Catalog:
I. Titian and the new style of Venetian woodcuts
II. Domenico Campagnola : 1517
III. The landscape
IV. Titianus invenit – Nicolaus Boldrinus incidebat
V. Titian, Giovanni Britto and the portrait
VI. Anatomies for the Treatise of Vesalius
The Skeletons
The Flayed
Adam and Eve
VII. Boldriniana
VIII. Books and woodcuts from the mid-sixteenth century
IX. Giuseppe Scolari
Bibliographical Note
Bibliography
Illustrations
Index of names and entries relating to woodcuts
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